fleetwood mac albums in order of release

'There is a strong, almost psychic bond, but we are not even really friends that we spend a lot of time together. 'It’s hard to explain our relationship sometimes,” Buckingham told the Los Angeles Times in June 1987, two months after the LP's release. Even though the band wasn't necessarily working together much of the time, it doesn't mean work wasn't getting done. It slowly turned into a band record as members became involved. That Buckingham was in control for most of Tango in the Night's recording made sense, because the album started life as a Buckingham solo project. Lindsey was able to do a lot more on his own and control it a lot more artistically.' 'I think the Fairlight started replacing some of that human touch, some of the other band members. But I started to miss the old live feeling of the band,' he said. This willingness to push the boundaries of tape technique, along with heavy use of the Fairlight, had a downside, as Buckingham's co-producer, Richard Dashut, noted. 'I loved, sonically, what it was doing. There's not another way you could get that, at least back then.' You end up with this high end, this tinkly little high end, that wouldn't exist. 'When you record something really slow and you speed it up, all the harmonics get shifted up. ('Everywhere''s intro includes recordings of acoustic and electric guitars at half speed.) 'That's part of what makes this open and airy, too,' Greg Droman, who engineered Tango in the Night, recalled to Salon in 2017. Buckingham was also experimenting with new recording techniques, sometimes playing tapes at half speed or double speed to create an artificial sound that couldn't be easily replicated.

Fleetwood mac albums in order of release